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The article deals with the literary-critical legacy of Karamzin in the dynamics of his views on the relation of artistic and documentary merits in the works of literature, in the context of his “Europeanism” of early 1790s and the subsequent disappointment in his former ideals (the middle and second half of the 1790s), when art is interpreted by him as “sorcery of embellished figments”, as a way to escape reality, and the poet appears as a “skillful liar.” In the aspect of dialogism, specific genres of Karamzin criticism in “Moscow Journal”, as well as in “Aglaia” and “Aonide” almanacs are analysed: translations, notes, announcements, prefaces, excerpts and appeals to the reader.

vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ russkaâ filologiâ/vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ: russkaâ filologiâ

THE LITERARY-CRITICAL LEGACY OF N. KARAMZIN OF 1790s