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The article presents on separate examples the dictinctive peculiarities of A. Tarkovsky’s lyrics perception and offers new approach towards his unique artistic and aesthetic system including time, space and characteristic features of the original genre and its modifications. The particular features of A. Tarkovsky’s individual poetic style are considered in terms of intra-text communication with Acmeism and Neo-Acmeism. The comparative analyses was focused on expressive means and style of Dante from literary techniques, general phrases, quotations, to the similarities between the concept of Neo-Acmeism presented in Dante’s ‘Divine Comedy’, A. Tarkovsky’s lyric cycles and A. Ahmatova’s and M. Tsvetaeva’s verses. The author analyses the variety of ideas, styles, tendencies and genres that create the prospect of new discoveries on the paths of Russian and world literature.

vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ russkaâ filologiâ/vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ: russkaâ filologiâ

PHENOMENON OF NEO-ACMEISM IN A. TARKOVSKY’S POETRY