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The article deals with the history of the creation and the aesthetics of three poems of the great Chilean poet Pablo Neruda devoted to Stalingrad – “A Love Song for Stalingrad” (1942), “A New Love Song for Stalingrad” (1943) “Third Love Song to Stalingrad”; their poetic translation and aesthetic features are discussed. Three versions of “A Love Song for Stalingrad” (Erhenburg, Kellin, and Grushko), four versions of “A New Love Song for Stalingrad” (Erhenburg, Kellin, Dolmatovsky, and Goncharenko), and the translation by O. Savich of “The Third Love Song to Stalingrad” are analyzed.

vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ lingvistika/vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ: lingvistika

PABLO NERUDA’S STALINGRAD POEMS AND THEIR POETIC INTERPRETATIONS INTO RUSSIAN