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The Seattle Shakespeare Company opened its twenty-sixth season in September 2016 with The Winter's Tale, directed by Sheila Daniels at the Seattle Repertory's Leo K. Theatre—an intimate space that suited this relatively spare production. Soothing recordings of classical guitar played before the performance, perhaps signaling to the audience that what followed would be a traditional production of the play. And, indeed, apart from two interpolated entrances by the entire cast (at the opening and at the beginning of Act 4) and a spectral appearance by Hermione behind Antigonus during his soliloquy before his death by bear, the production was straightforward and unfussy. With minimal sets (a collection of rectangular pillars that served in turn as the architecture of the Sicilian court and the trees of Bohemia) and little stage business to distract from Shakespeare's words, such straightforwardness served to emphasize how the play divides in two parts that resolve each other, moving from Sicilian winter to Bohemian spring.

Slippery in Seattle: The Winter's Tale