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Audience expectations always seem as high for plays about Shakespeare as they are for plays by Shakespeare which is, of course, an unfortunate reality for any contemporary playwright charged with competing with the likes of Romeo and Juliet, Hamlet, or King Lear. Whether it’s the silliness of Paul Rudnick's I Hate Hamlet, the precociousness of Amy Freed's The Beard of Avon or the risqué romance of Lee Hall’s adaptation of Shakespeare in Love (based on the screenplay by Marc Norman and Tom Stoppard), there's always a bit of disappointment on the way out the door.

World Premiere of The Book of Will, by Lauren Gunderson