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The article proposes a reading of Pedro Kilkerry's "E o silencio...", with the aim of focusing on the issue of the poetic creation process present in the poem, not only as a theme, but above all as the dynamics itself embodied in writing. For this, we start from the concept of block of sensation (affects and percept), proposed by Gilles Deleuze and Felix Guattari, in relation to the concepts of territory and deterritorialization, of the same philosophers, in order to understand the movement of creation that is materialized in the poem. Based on a reinterpretation of Kilkerry poetry, we try to test the hypothesis that not only does the uniqueness of his poetry results from the original treatment he gives to language, but also from his ingenuity to aesthetically reconfigure, in the light of the phenomenon of alterity, the problem of subjectivity.

A Vertigem das Sensações em “É o silêncio...”, de Pedro Kilkerry