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This article discusses the extent to which Juan Rulfo’s Pedro Paramo (1955) includes contemporary Latin American narratological perspectives and social memory. The work attempts to disrupt and invert the hierarchy and traditional aesthetics of the text, as both plausible and implausible elements are incorporated, subverting the ritualized practices of former official discourses. Pedro Paramo is similar to other revolutionary works in its transgression of current writing standards and the way it approached the themes of conflict and revolution in the Latin American context.

Representações literárias da revoluçào mexicana na narrativa de Juan Rulfo