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This paper to make a discussion about cinematographic representation from Rio de Janeiro’slums in Marcel Camus’ Black Orpheus (1959), your adaptation the play Vinicius de Moraes’ Orfeu da Conceicao , published in 1954. Relating this representation to Roberto Schwarz’s  “concept”  intituled “enguico”, utilized into essay “O bonde, a carroca e o poeta modernista”. The choice of this particular “concept” shows a desire to review the first critics that remain fixed in external aspects to Marcel Camus’esthetic

O BONDE DE ORFEU: CONSIDERAÇÕES SOBRE UM ENGUIÇO