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This paper aims to map different issues raised by the approachement between literature and death from a Bakhtinian perspective. It forms a tanatography of the character who comes back from the dead, recalling himself to another and/or in collective memory: the Odyssey, Menipean Satire, Hamlet, Bobok and Posthumous Memoirs of Bras Cubas. It analyzes an image of Occidental canon in a dialogical comparativist perspective and thus draw a literary architecture that goes beyond the fields of quotation and that allows us to study various discursive achievements of death.

TANATOGRAFIAS E DECOMPOSIÇÕES BIOGRÁFICAS: DISCURSO DA MORTE NA LITERATURA