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The meaning of the term epiphany, 1 one that is a model for the modernistic formation and that still functions in the study of literature, is derived from James Joyce’s two works—A Portrait of the Artist as a Young Man and the unfinished Stephen Hero 2 . In the latter novel, its protagonist Stephen Daedalus, during a walk, discovers the meaning of an accidentally heard conversation between a man and a woman flirting with each other. Snatches of the conversation—Stephen only heard from the man’s mouth a repeated “I,” and from the woman’s: “O, yes... I was... at the... cha... pel...” and “O... but you’re... ve...ry wick... ed...” 3 —made such a strong impression on him that they induced an esthetic reflection:

Epiphanies of the Exiles: Exile from the Heritage of Tradition