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Cultural mapping reflects a spatial turn broadly taken in related areas of urban studies, all of which, in different ways, care about the interaction between social and material space. This article will contribute to this emerging interdisciplinary field by exploring applications of cultural mapping as tools for more inclusive forms of urbanism. The main argument holds that particular forms of cultural mapping can help bridge certain constraints of ethnographic methodologies of social sciences, on one hand, and spatial analysis and design methodologies, on the other hand, as they can operate in the same interstices of social and material space. This article is the result of a three-year and ongoing collaboration between the Research Group on Urbanism and Architecture of the University of Leuven and theatre company Teatro Oficina, located on a highly contested urban site in Sao Paulo’s central neighbourhood of Bixiga, which for thirty years has been part and parcel of a Lute Urbaine (‘urban battle’) between the cultural group and a major real estate development firm. Both the theatre building and the surrounding terrain present themselves as pars-pro-toto for a theatrical city paradigm, offering insights on the dialectic vicissitudes of socio-cultural actions vis-a-vis the material transformation of the city.Keywords: urban activism, participatory urban design, modernism, urban stage, theatre cultureResume: La cartographie culturelle reflete un tournant spatial dans le champ des etudes urbaines et disciplines associees qui sont a tout le moins toutes concernees par les interactions entre les espaces sociaux et les espaces materiels. Cet article tente d’apporter une contribution a ce debat interdisciplinaire en explorant les applications de la cartographie culturelle dans le cadre des projets d’urbanisme participatif, voire d’urbanisme plus socialement inclusif. Certaines formes de cartographie culturelle peuvent permettre de repondre a certaines contraintes emanant des methodologies ethnographiques en sciences sociales et ce, en comblant les lacunes decoulant de la rencontre des espaces sociaux et materiels. Les resultats de cet article decoulent de trois annees de collaboration entre le Research Group on Urbanism and Architecture de l’Universite de Leuven et le Teatro Oficina, situe dans un espace conteste du quartier Bixiga, au coeur de Sao Paulo. Ce quartier en question a ete au coeur de plusieurs luttes urbaines (Lute Urbaine) entre groups sociaux culturels et promotteurs immobiliers. L’immeuble du theâtre et ses environs se present en tant que pars-pro-toto pour le paradigme de la ville theâtrale, offrant des points des perspectives sur la dialectique de l’action culturelle vis-a-vis la transformation materielle de la ville.Mots cle: l’activisme urbain, dessin urbain participative, modernism, scene urbaine, culture theâtrale

Theatre City: On Design in the Interplay of Social and Material Space (Teatro Oficina, Bixiga, São Paulo)