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Being the main character of his own books, Herve Guibert writes about his life as a writer. Through his texts he draws his portrait as a polymorphous artist, taking a double attitude towards his activity. On the one hand the act of writing, as well as drafts and manuscripts are shown, but on the other hand he constantly tries to protect and conceal them from sight. Looking for his own scriptural identity, the author tends to identify his manuscripts with his body, so that papers, drafts, manuscripts come to acquire a strong corporeal dimension in a wider project of representation of the self.

« Dans les marges du cahier de textes ». Quelques aspects de l'autoréflexivité dans l'écriture guibertienne