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Une ligne subtile separe l’erotisme de la pornographie dans la production artistique d’Alain Robbe-Grillet. La reception de son oeuvre nous indique que la relation entre ces deux notions est le resultat d’une negociation sociale impliquant differents codes (code esthetique, code legal, etc.). Nous appuyant sur certains episodes de la carriere de Robbe-Grillet (l’accusation d’obscenite portee contre son film, Glissements progressif du plaisir, autour des annees 1970; la controverse engendree par la publication de son dernier roman, Un roman sentimental, 2007), nous voulons montrer pourquoi et comment cette negociation peut amener a des serieuses incomprehensions et, a la limite, echouer.AbstractA thin line separates eroticism and pornography in Alain Robbe-Grillet’s artistic production. Examing the reception history of his work we can parse out the relation between those two notions as the result of a social negotiation that involves different codes (aesthetic code, legal code, etc.). Focusing our attention on a few episodes in Robbe-Grillet’s career (the obscenity case against the movie Glissements progressif du plaisir in the Seventies; the controversy aroused by the last novel published before his death: Un roman sentimental, 2007) we want to show why and how this negotiation could lead to serious misunderstandings and, at worst, fail.

« L'érotisme des autres » : phénoménologie de la pornographie chez Robbe-Grillet