English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Le Cycle du Survenant est une œuvre plurigenerique et intermediale. Les divers changements de genre qui traversent l’œuvre provoquent de veritables bouleversements dans l’ecriture de Guevremont, notamment au niveau des figures de style. L’etude du passage des figures des trois premiers chapitres du roman Le Survenant vers le radioroman et le teleroman du meme nom permet de mieux comprendre les specificites rhetoriques de ces trois genres ainsi que les defis poses par les adaptations radiophonique et televisuelle. Abstract The Survenant cycle is multi-genre and intermedial. The many shifts in genre that took place over the course of Guevremont’s career led to important changes in her writing, notably in terms of the rhetorical figures used. The study of the transformation of figures from the first three chapters of Le Survenant in the radio and televisual adaptations of this novel provides a better understanding of the rhetorical singularities of these three genres, as well as of the challenges posed by adaptations to different media.

Intermédialité et transfigurations dans le cycle du Survenant