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Marguerite Duras a vecu pendant dix-huit ans en Indochine et, pendant son enfance, elle a parle davantage le vietnamien que le francais. Etrangere en Indochine, ou elle est nee de parents francais, etrangere en France apres sa jeunesse passee au Vietnam, elle restera jusqu’a la fin de sa vie partagee entre deux cultures. La presente etude analyse comment l’œuvre de Duras s’ouvre a la pluralite des philosophies et des cultures asiatiques et comment elle reussit, en articulant des projets esthetiques issus de « civilisations-alterites », a montrer qu’un dialogue a multiples voix et langues est possible. Abstract Marguerite Duras lived for eighteen years in Indochina and she spoke more Vietnamese than French in her childhood. A foreigner in Indochina, where she was born of French parents, and a foreigner in France after so many years spent in Vietnam, she will remain, till the end of her life, split between two cultures. This article analyses how the work of Duras embraces the multiplicity of Asian philosophies and cultures, and how she succeeds, by articulating aesthetic ventures into « civilisations-alterites », in showing that a dialogue in multiple voices and languages is possible.

L'Orient fantasmé de Marguerite Duras: figures du métissage et influences des philosophies asiatiques