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Whatever your relationship to screendance—whether making, curating, or writing about the genre, or coming across it for the first time—accessing a wide range of work represents an essential aspect of engagement with the medium. Whereas screendance makers and audiences previously depended on relatively rare public screenings in theaters and infrequent television broadcasts, and the shipping or schlepping of VHS tapes/DVDs across continents was par for the course, nowadays the Internet provides an always-on, global site for the dissemination and discovery of screendance works.

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