English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In this article the authors explore images of disability in Hollywood movies. Our analysis draws from the historical-philosophical method of Michel Foucault. We argue that in Hollywood films disability is extricated from its concrete manifestation as a physical or mental condition and treated as a cultural sign. When read across the different movies the signs of disability can be coalesced into what Foucault calls a discourse. Discourses are socially produced ways of talking about an object that situate the object within socially produced relations of power. We argue that when viewed this way disability becomes situated within a discourse of pity. In Hollywood films the discourse of pity articulates disability as a problem of social, physical and emotional confinement. The disabled character's thwarted quest for freedom ultimately leads to remanding the character back to the confines of a paternalistic relationship of subordination.

Troubling Signs: Disability, Hollywood Movies and the Construction of a Discourse of Pity