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En el presente trabajo llevamos a cabo una lectura de Rayuela, con el proposito de profundizar en aquellos aspectos de estilo que nos resultan pertinentes en cuanto a la relacion que mana entre los personajes de Horacio Oliveira y de La Maga en esta novela. En este sentido, pretendemos elucidar la caracterizacion de estos dos personajes por medio de la neutralidad como modo de lectura para comprender el juego narrativo cortazariano y reforzar la idea de una busqueda de ruptura dicotomica en la narrativa del escritor argentino. El vinculo de Oliveira con las mujeres nos llevara a la lectura del goce como estado perseguido por el personaje. In the present work we carry out a reading of Rayuela, with the purpose of deepening into those aspects of style which are relevant to us with respect to the relationship that springs between the characters of Horacio Oliveira and La Maga. In this sense, we intend to elucidate the portrayal of these two characters through neutrality as a reading hypothesis, in order to understand the narrative of Cortazar and reinforce the idea of a search for a dichotomous rupture in the narrative of the Argentine writer. Oliveira’s bond with women will lead us to the reading of enjoyment as a state pursued by the character.

Una lectura de Rayuela desde el Fantasma de la Maga = A Reading of Rayuela from Maga’s Ghost