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En este texto se estudia, dentro del contexto de la epoca, la decoracion pictorica ejecutada por el pintor onubense Daniel Vazquez Diaz en el desaparecido cafe Calatravas (calle de Alcala, num. 31) de Madrid, en 1939. Este cafe fue el primero (entre los establecimientos de este tipo) en poner de manifiesto con su imagen (pintura, mobiliario, etc.) como el regimen franquista pretendio convertir el arte en politica. Los muros de este lugar de encuentro y reunion fueron adornados con episodios que evocaban hechos de caracter mitico y legendario del periodo de la Roma antigua, dejando asi constancia de su funcion politica y social. In this text, in the context of the period, the pictorial decoration carried out by the painter Daniel Vazquez Diaz in the disappeared cafe Calatravas (calle de Alcala, num. 31) in Madrid, in 1939, is studied. This coffee was the first (among the establishments of this type) to show with its image (painting, furniture, etc.) how the regime of Franco pretended to turn art into politics. The walls of this place of meeting were adorned with episodes that evoked facts of mythical character and legendary of the period of the ancient Rome, leaving thus constancy of its political and social function.

de arte

La decoración pictórica del café Calatravas (1939) de Madrid y su significado en el contexto político/The pictorial decoration of the café Calatravas (1939) of Madrid and its meaning in the political context