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The 1960s witnessed an outstanding increase in the amount of historical-artistic complex declarations in Spain. This was followed by a large institutional effort concerning monument restoration both in that decade and the next, which in turn brought about important changes in the many Spanish towns that were declared as historical-artistic complexes then. Two institutions were the main agents of this restoration process: the Direccion General de Bellas Artes del Ministerio de Educacion Nacional (General Bureau for Fine Arts, a section of the Ministry of National Education) and the Direccion General de Arquitectura del Ministerio de Vivienda (General Bureau for Architectural Affairs, a section of the Ministry of Housing). One sub-section of the latter, that of Ordenacion de Ciudades Historicas (Historical Towns Planning), was responsible for this far-reaching policy of architectural recovery. These official agencies established the present-day image of many Spanish historical-artistic complexes, for which labour they used rather similar criteria to those employed in the previous period.

de arte

Una “Toledo Extremeña”. Contribución del Servicio de Ordenación de Ciudades Históricas a la monumentalización de Trujillo (Cáceres) durante el desarrollismo franquista