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The artist Juan Gris had the opportunity to see the beginning of Cubism, staying in 1906 in the French capital. From here, he starts to interact with other avant-garde painters and critics who offered him new possibilities for a Cubist involvement. The year 1912 marks his integration in the pictorial trend of Synthetic Cubism, also standing out his relationship with the group of Puteaux . The encounters with this Cubist group derived him towards postulates characterized by the application of lattice-works, which were formulated under mathematical aspects and a manifest interest in the Golden Section, but without forgetting the spiritual discourse before the needs of his time.

La Section d’Or y Juan Gris: Un camino hacia un cubismo espiritual