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Labor Universities form a uniquely within the history of twentieth-century Spanish architecture because of the political and social circumstances in which they arose. Following the ideological Phalangists, and National - Catholicism, is seen as essential to the existence of a space dedicated to worship, to supplement the teaching in educational and architectural design of the new centers. Programmatic needs demanded by these centers require an architectural response so far non-existent and hardly resolvable with previous methodologies. The first attempts to provide a formal and functional expression appropriate to the Labor Universities offer a clear confrontation between classicism and modernity, with the figure of Luis Moya as anti-modern crusader whose proposals will materialize as a model of ideal city - linked to the Civitas Dei -, where the chapel becomes capital and articulating element set. With competitions for the realization of new Labour Universities convened since 1960, modern architecture feel the final push, establishing itself as the only possible solution to tackle the project. These ‘learning machines’ will be proposals made in the recovery time of modernity in our country, in the hands of architects whose office provides assurance that correct solutions. The review and analysis of its chapels allow to understand how a program will be similar religious sacred space through the introduction of the draft linguistic, and symbolic Vernacular, by evolving and thus enriching the Spanish modern architecture of the second half of the century twenty.

Las capillas de las Universidades Laborales como recuperación de la modernidad en la arquitectura española del siglo XX