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O trabalho procura analisar alguns recursos ironicos usados por Vieira em seus Sermoes, tais como a teatralidade, a citacao, o binarismo, a estrutura comunicativa do discurso, o jogo e a reduplicacao, a valorizacao de significantes sonoros, os mascaramentos e espelhamentos, com o objetivo de demonstrar que essas estrategias de envolver e convencer o ouvinte tem como suporte seducoes de um discurso ironico / ideologico que, apoiando-se em solido conhecimento, grande cultura, verdades conhecidas como incontestaveis e na defesa de causas vistas como indiscutivelmente justas, funcionam tambem para camuflar a ironia de monologicos jogos de poder. This work atttempts to analyse some ironical devices used by Vieira in his Sermoes, such as theatricality, citation, binary resources, the communicative structure of discourse, game and reduplication, the emphasis on sonorous signifiers, masking and mirroring, with the purpose of demonstrating that those strategies used to involve and convince the listener have, as support, the seductions of an ironical/ideological discourse which, leaning on solid knowledge, vast culture, truths taken as incontestable and in defence of causes seen as unquestionably just, also function as a way to disguise the irony of monological power games.

Ambiguidade nos sermões de Vieira: dar a César ou a Deus?