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Resumo : Este artigo tem como primeiro proposito mostrar em que medida podemos ler a novela de Mario de Sa-Carneiro “Eu-proprio o outro” como um texto transgressivo. Para tal, procuraremos testar as suas fronteiras genologicas, numa tentativa de compreender as relacoes entre a indefinicao estrutural do texto, a desconstrucao dos paradigmas narrativos e a fluidez do sujeito que nele se representa. Partindo desse principio, procuraremos examinar as especificidades dos processos de autorrepresentacao nesta novela, tendo como principio orientador uma reflexao sobre as dinâmicas genologicas e epocais inerentes ao primeiro Modernismo portugues. Palavras-chave : genero literario; transgressao; Mario de Sa-Carneiro; autorrepresentacao; Modernismo portugues. Abstract : The purpose of this article is to show how and in which ways we can read Mario de Sa-Carneiro’s novel “Eu-proprio o outro” as a transgressive text. In order to do so, we will try to test its gender and we will attempt to understand the relations established between the structural indefinition of the text, the deconstruction of the narrative paradigms, and the fluidity of the “self” represented in it. Starting from this premise, we will propose a reflection about the specificities of self-representation, having as a guideline some considerations on the genological and epochal dynamics inherent to the first Portuguese Modernism. Keywords : literary gender; transgression; Mario de Sa-Carneiro; self-representation; Portuguese Modernism.

Qualquer coisa de intermédio – lugares de transgressão em “Eu-próprio o outro” de Mário de Sá-Carneiro