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Resumo : O presente ensaio discute a mescla de generos no interior da estetica do drama romântico, a partir da presenca da comicidade na peca Gonzaga ou a Revolucao de Minas (1876) de Castro Alves. Para tal, apresento nocoes basilares acerca da concepcao de arte dramatica constituida nos escritos em prosa do autor baiano e sua filiacao literaria ao modelo de drama romântico proposto por Victor Hugo. Por fim, analiso os procedimentos comicos empregados em excertos selecionados do drama em questao, considerando sua funcionalidade em relacao a economia geral da obra, partindo das proposicoes teoricas de Vladimir Propp e Henri Bergson. Palavras-chave : drama romântico; comicidade; Castro Alves; Gonzaga ou a Revolucao de Minas . Abstract : This article discusses the fusion of genres within the aesthetics of the Romantic drama, analyzing the presence of comicality in the play Gonzaga ou a Revolucao de Minas (1876) by Castro Alves. For that, I present key notions on the concept of dramatic art forged in Alves’ prose writings and his literary affiliation to the model of Romantic drama proposed by Victor Hugo. Finally, I analyze comic procedures in selected passages of Gonzaga ou a Revolucao de Minas, considering their functionality in relation to the general dynamics of the play, applying the theoretical propositions of Vladimir Propp and Henri Bergson. Keywords : Romantic drama; comicality; Castro Alves; Gonzaga ou a Revolucao de Minas .

A poética da totalidade: um estudo da comicidade no drama romântico de Castro Alves