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Resumo : Este ensaio apresenta algumas das linhas de forca da obra de Jean-Christophe Bailly, com especial atencao ao que ele quer definir como a condicao essencial do poema – ou de seu alargamento. Trata-se de manter a linguagem como area de receptividade, de contatos, de ressonâncias, disseminando indices de significância e fazendo de seu manejo um movimento de resistencia a pulsao de encerrar sob o nome aquilo que nos chama do desconhecido, substantivando-o. Trata-se, em suma, de desencerrar sem fim, de reabrir o mundo sob a linguagem, de desbatiza-lo, de produzir e dispersar, a partir dessa operacao, lendas e legendas. Introduziremos o pensamento poetico do escritor pautando-nos especialmente em tres imagens conceituais: comparicoes ( comparutions ), ricochetes ( ricochets ), desarraigamentos ( depaysement ). Palavras-chave : Jean-Christophe Bailly; poesia francesa contemporânea; sentido. Abstract : This essay presents some of Jean-Christophe Bailly’s work strength lines, with particular attention to what he wants to define as the essential condition of the poem – or of its enlargement. It is a matter of maintaining language as an area of receptivity, of contacts, of resonances, disseminating indexes of significance and making its management a movement of resistance to the drive to close under a name whatever calls us from the unknown, substantivating it. In short, it is a matter of unending unraveling, of reopening the world under language, of unbaptising it, of producing and dispersing legends from this operation. We will introduce the writer’s poetic thought by focusing especially on three conceptual images: comparutions, ricochets, depaysements . Keywords : Jean-Christophe Bailly; contemporary French poetry; sense.

Jean-Christophe Bailly e a legenda(gem) dispersa do mundo: comparições, ricochetes, desarraigamentos