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: This article offers a retrospective analysis of aspects of my translation for the stage of Marina Carr’s By the Bog of Cats… into Brazilian Portuguese. By focusing on the iterative aspects of theatre translation as well as the translation of dialect, this article will elaborate the notion that theatre translation takes place at both individual and collaborative levels in which the translator works in dramaturgical capacity. These two levels cannot be dissociated because they constantly influence and inform one another. Although theatre translation begins as an individual task, originating in the complex act of reading the play-text, its final trajectory is deeply influenced by the creative insights of the production team. The overarching objectives of this article are, therefore: firstly to account for the overall process of translating for the stage, from the early drafts of the translation to the rehearsal process, and ultimately to the staged reading of the play; and secondly, to offer a narrative for how the cultural encounter between the exporting and importing cultures has taken place through translation and theatrical performance. Keywords : theatre translation; collaborative process; dramaturgical interventions; dialect. Resumo : Este artigo e uma analise em retrospectiva de alguns aspectos da minha traducao para o palco da peca teatral “By the Bog of Cats...” de Marina Carr para o portugues do Brasil. A partir de um enfoque na natureza iterativa da traducao teatral assim como na traducao de dialeto, este artigo parte do pressuposto de que a traducao teatral ocorre nos âmbitos individual e colaborativo nos quais o(a) tradutor(a) intervem dramaturgicamente. Esses dois âmbitos nao podem ser dissociados devido ao fato de influenciarem e orientarem um ao outro. Apesar de a traducao teatral iniciar-se como uma tarefa individual que se origina no complexo ato de ler a peca, essa tarefa e profundamente influenciada e se da a partir das visoes criativas do grupo teatral. Isso posto, os objetivos gerais deste artigo sao: em primeiro lugar, relatar o processo da traducao teatral, desde os primeiros rascunhos da traducao aos ensaios que culminaram numa leitura dramatica da peca; em segundo lugar, elaborar uma narrativa de como se deu o encontro entre as culturas de exportacao e importacao da obra por meio da traducao e da encenacao teatral. Palavras-chave : traducao teatral; processo colaborativo; intervencoes dramaturgicas; dialeto.

Performing Translation as Practice-Led Research: The Case of Carr’s “By the Bog of Cats…” in Brazil