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Resumo: Nas ultimas decadas, a inscricao do animal na literatura tem assumindo novos contornos e complexidades, assistindo-se a emergencia de uma zooliteratura fundada numa apreensao inedita da animalidade e no trespassamento das fronteiras entre o humano e o nao humano. Cada vez mais, os escritores tem multiplicado as tentativas de encenar, por procuracao ficcional, novas formas de interacao com o animal, seja pela via do compartilhamento de sentidos e afetos, seja pela dos devires e metamorfoses. Neste contexto, a ficcao animalista do escritor brasileiro Joao Guimaraes Rosa, um dos maiores animalistas do seculo XX, constitui um paradigma modelar da figuracao literaria do animal, visto e escrito, nao como simples constructo teorico-ficcional, mas antes como sujeito dotado de uma subjetividade propria e capaz de um olhar interrogante e judicativo sobre o Homem. E o que se tentara demonstrar, neste trabalho, atraves da leitura critica de tres dos seus contos: “O burrinho pedres” e “Conversa de bois”, de Sagarana (1946), e “Meu tio o Iauarete”, de Estas estorias (1969). Palavras-chave: animal; humano; interacao; compartilhamento; devir; metamorfose. Abstract:  Over the last decades, animal presence in literature has taken on new forms and disclosed new complexities, giving rise toa zooliterature founded upon a renewed insight into animality and the trespassing of the frontiers separating humans and non-humans. Writers have progressively multiplied attempts to enact, through fiction, new forms of interaction with the animal, either through sharing of meaning and affection, or through becoming and metamorphosis. In this context, the Brazilian writer Joao Guimaraes Rosa’s animal fiction, one of the most remarkable 20 th century animalist fiction writers, offers a perfect paradigm of the literary figuration of the animal, both seen and written, considered not as a mere theoretical and fictional artifact, but rather as a subject invested with its own ontology and capable of interrogating and judging human behavior. This is the argument we will seek to demonstrate in this article through the critical reading of three of Rosa’s short stories: “O burrinho pedres” and “Conversa de bois”, included in Sagarana (1946), and “Meu tio o Iauarete”, from Estas estorias (1969). Keywords: animal; human; interaction; sharing; becomings; metamorphosis.

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Um olhar sobre a ficção animalista de João Guimarães Rosa: devires e metamorfoses / The Animal Fiction of João Guimarães Rosa at a Glance: Becomings and Metamorphoses