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Resumo: Este trabalho objetiva apresentar sumariamente a letteratura d’appendice (o folhetim) italiana de Carolina Invernizio, talvez sua maior representante, e seus desenvolvimentos posteriores. A metodologia e essencialmente a da pesquisa bibliografica. Apos definir a literatura de massa com base em Gramsci, Eco e Sodre, o texto analisa a recepcao de Invernizio e seus epigonos no Brasil e na America espanhola de 1880 a 1935, apresentando um breve panorama das traducoes publicadas nesses paises e buscando identificar os meios de producao e fruicao do genero, e seu sucessivo desaparecimento, ou suas transformacoes. A conclusao inicial diz respeito a manutencao, ainda hoje, do recalque do genero, considerado menor e nao literario justamente por conta de suas caracteristicas populares. Palavras-chave: Carolina Invernizio; folhetim; literatura de massa; Liala; traducao. Abstract: This work aims at presenting the Italian Carolina Invernizio’s way of letteratura d’appendice (otherwise known as feuilleton ), of which she may have been its greatest example, and its later developments With a bibliographic research methodology, after defining mass literature according to Gramsci, Eco and Sodre, the text analyzes the reception of Invernizio and its literary descendants in Brazil and Spanish America from 1880 to 1935, presenting a brief overview of the translations published in these countries. We try to identify the means of production and use of the genre and its later disappearance, or its transformation. The initial conclusion concerns the maintenance, even today, of the repression and silencing of the genre, seen as minor and non-literary precisely because of its popular characteristics. Keywords: Carolina Invernizio; feuilleton ; mass literature; Liala; translation.

caligrama

Traduzir vidas, mundos e fantasias: Carolina Invernizio e a letteratura d’appendice italiana no Brasil / Translating Lives, Worlds and Fantasies: Carolina Invernizio and Italian letteratura d’appendice in Brazil