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Resumo: Este artigo propoe-se analisar um dos generos mais produtivos da poesia palaciana portuguesa dos seculos XVI e XVII, o retrato elogioso da donna , de fundo petrarquista, largamente praticado no Quinhentos por poetas como Luis de Camoes, Pero de Andrade Caminha e Sa de Miranda, e, no seculo seguinte, pelos poetas cujas obras foram reunidas nas coletâneas de verso Fenix Renascida e Postilhao de Apolo . Demonstra-se a pratica de “notacao” do retrato elogioso, discutem-se os preceitos retoricos e poeticos que o regravam, sua utilidade como controle dos afetos cortesaos, e como o seu contrario, o retrato comico, especificamente aquele construido a base de metaforas de doce, valendo-se dos mesmos lugares comuns de invencao, disposicao e elocucao do genero, articula a imagem reversa da donna , transformando a illustratio ou evidentia (de forte apelo visual), propria do retrato de tipo alto, em “apetite”, “gustacao”, “gula” e “satisfacao sexual”. Palavras-chave: satira; retrato poetico; elogio da donna; ars laudandi ; Fenix Renascida . Abstract: This article proposes to analyze one of the most productive poetry genres of Portuguese palace in the 16th and 17th Centuries – praise of a lady, fundamentally Petrarchan, largely practiced in the 1500s by poets such as Luis de Camoes, Pero de Andrade Caminha, and Sa de Miranda, and in the following century, by poets whose works were reunited in the collections of verses Phoenix Reborn (Fenix Renascida) and Apollo’s Postilion (Postilhao de Apolo). The practice of “Notation” in the complimentary portrait is demonstrated, the rhetorical and poetic precepts that are rewritten are discussed, its usefulness as a control on courtier affections as well as how its opposite, the comedic portrait, specifically that one built upon sweet metaphors, using the same commonplaces of invention, arrangement and elocution of the genre, articulates the reverse image of a lady, transforming the illustration or evidentia (of strong visual appeal), typical of the higher type portrait, into “appetite”, “gustation”, “gluttony”, and “sexual satisfaction”. Keywords: satire; poetic portrait; praise of a donna ; ars laudandi; Phoenix Reborn .

caligrama

O retrato reverso da donna: retrato satírico em metáforas de doce em Fênix Renascida / The Reverse Portrait of the Donna: Satirical Portrait in Candy Metaphors in Fênix Renascida