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Resumo: Dentro de um contexto de pensamento e mundo fragmentados, Walter Benjamin, em Imagens do pensamento [ Denkbilder ] e Sobre o haxixe e outras drogas [Uber Haschisch ], aproxima seu estilo ensaistico a linguagem poetica ao tratar de reflexoes sobre os processos do modernismo em cidades europeias pelas quais o filosofo alemao transita como flâneur sondando a propria consciencia da linguagem e as formas de exposicao, apresentacao e enunciacao [ Darstellungsformen ]. Envolto em sua fuga ao cerco nacional-socialista, Benjamin responde a queda do valor da experiencia evocando disposicoes alternativas de pensamento e narrativa. No romance de Michel Laub, Diario da queda (2011), um judeu alemao anonimo, sobrevivente do campo de concentracao de Auschwitz, retribui de forma semelhante, criando um “tratado de como o mundo deveria ser” ao encontrar refugio no Brasil. Neste artigo, aproveitando-se da luz dos vagalumes de Georges Didi-Huberman, analisa-se as aproximacoes das formas de percepcao das ruinas – de consciencia e representacao – dispostas nessas obras que apostam na potencia revolucionaria contidas em suas construcoes. Sao, nas formas experimentais de suas linguagens, as “palavras-vagalumes” dos judeus refugiados que infligem contestacao as “palavras-projetores” dos nazistas, em um combate de recusar o fascismo da Historia e “organizar o pessimismo”. Palavras-chave: enunciacao; flâneur ; judaismo; Georges Didi-Huberman; Michel Laub. Abstract: Within a context of fragmented thought and world, Walter Benjamin, in Thought-Images [ Denkbilder ] and On Hashish [Uber Haschisch ], approaches his essayistic style to poetic language by addressing reflections on the processes of modernism in European cities through which the German philosopher transits as a flâneur exploring the very consciousness of language and the forms of exhibition, presentation and enunciation [ Darstellungsformen ]. Wrapped in his escape from the National Socialist siege, Benjamin responds to the downfall of the value of experience by evoking alternative dispositions of thought and narrative. In Michel Laub’s novel, Diary of the Fall  (2011), an anonymous German Jew, survivor of the Auschwitz concentration camp, mutualy reciprocates, creating a “encyclopedia of how the world ought to be” by finding refuge in Brazil. In this article, enjoying the advantage of the light of the fireflies of Georges Didi-Huberman, the approaches of the forms of perception of the ruins – of conscience and representation – arranged in those work that bet on the revolutionary power contained in its constructions are analyzed. They are, in the experimental forms of their languages, the “firefly words” of the refugee Jews who inflict a challenge to the Nazi “words-projectors” in a struggle to reject the fascism of history and “organize pessimism.” Keywords: enunciation; flâneur ; Judaism; Georges Didi-Huberman; Michel Laub.

A(s)cender o pesamento: um exemplo em Diário da queda/ Light(ing) the tought: an example on Diary of the fall