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RESUMO : Este estudo surgiu da participacao no grupo de pesquisa intitulado Literatura em Dialogo, que tem como objetivo o estudo e a pesquisa sobre as diversas adaptacoes cinematograficas do romance Anna Karenina, de Leon Tolstoi. Neste estudo, em particular, e feita uma analise da primeira cena de encontro entre Anna Karenina e Alexei Vronski, nas adaptacoes cinematograficas de 1935 (Clarence Brown), 1948 (Julien Duvivier) e 2012 (Joe Wright), e no texto literario de Tolstoi (1877). A apropriacao do texto literario pelo cinema fez com que os olhares de teoricos de ambas as artes se voltassem para a relacao entre elas. Sendo assim, ha diversos conceitos a serem analisados e articulados, entre eles: fidelidade, traducao, elementos filmicos e intertextualidade. Nesta pesquisa, investiga-se o material literario, sua recriacao cinematografica e as multiplas possibilidades que surgem dessa relacao de linguagens artisticas diferentes e com particularidades especificas. Dentro das proprias producoes filmicas serao apontadas, ao longo do artigo, as diferentes formas de realizar adaptacoes, que carregam as ideologias do seu realizador, condicoes de realizacao e contextos historicos diferentes. A perspectiva teorica que norteia esta pesquisa e a literaria em conjunto com a cinematografica, segundo os estudos de Stam (2006), Pereira (2009), Hutcheon (2011) e outros. Em outras palavras, investiga-se qual(is) representacao(coes) pode(m) ser percebida(s) nessas adaptacoes filmicas feitas atraves da apropriacao do texto. Pretende-se observar nao somente o deslocamento do literario para a obra cinematografica, mas tambem as diferentes formas de se fazer a adaptacao dentro das proprias producoes para a tela do material ficcional, pois nao existe uma unica maneira de produzir adaptacoes. PALAVRAS-CHAVE : Anna Karenina; adaptacoes; cinema; literatura; pesquisa. ABSTRACT : The origin of this study is the participation in the research group Literature and Dialogue, that seeks to study and research the many filmic adaptations of the novel Anna Karenina, by Leon Tolstoi. In this particular study, an analysis of the first encounter between Anna Karenina and Alexei Vronski was conducted, as it was portrayed in the filmic adaptations from 1935 (Clarence Brown), 1948 (Julien Duvivier) and 2012 (Joe Wright), as well as in the literary text by Tolstoy (1877). The appropriation of the literary text by the cinema made the theoreticians from both fields turn their attention towards the the relationship between them: fidelity, translation, filmic elements and intertextuality. In this research, the literary material was investigated, as well as its filmic recreations and the multiple possibilities that come from the relationship between different artistic languages with specific particularities. Within the filmic productions themselves, throughout the article, different ways to conduct adaptations are going to be pointed at, as they carry the ideologies of their auteurs, the conditions in which they were produced and their different historical contexts. This study was informed by literary and cinematographic theoretical perspectives, according to the studies of Stam (2006), Pereira (2009), Hutcheon (2011) and others. In other words, this study investigates which representations may be found in the filmic adaptations conducted through the appropriation of the text. The study aims not only at looking at the movement from literature to cinematographic work, but also at the different ways to conduct an adaptation within the productions of the fictional material for the screen, since there are many possible ways to produce adaptations. KEYWORDS : Anna Karenina; adaptations; cinema; literature; research.

texto livre

Anna Karenina no cinema: o primeiro encontro de Anna e Vronski nos filmes de 1935, 1948 e 2012 / Anna Karenina on the cinema: the first encounter of Anna and Vronski in the movies from 1935, 1948 and 2012