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espanolAnalizando las conversaciones que el poeta Fernando Millan, entrevistado por Chema de Francisco en agosto de 1997, publico bajo el titulo Vanguardias y vanguardismos ante el siglo XXI, y comparandolas con la produccion del autor en los anos 70, asi como con la de otros contemporaneos adscritos a la experimentacion, intentaremos mostrar que la nocion de vanguardia sigue manteniendo su fertilidad creadora. Aunque estas conversaciones no pueden considerarse como un ante-texto, suministran sin embargo un material que prueba que la vanguardia no dijo la ultima palabra para comprender la dinamica del arte. Al contrario, reactiva, revisita e incluso produce formas nuevas marcadas por un grado de creatividad que rechaza todos los academicismos. EnglishBy analyzing the interviews that the poet Fernando Millan, speaking with Chema de Francisco in August 1997, published under the title Vanguardias y vanguardismos ante el siglo XXI, and by comparing them with the author’s production in the 1970s, as well as that of a few of his contemporaries tempted into the experiment, we propose to show that the notion of vanguardism still constitutes a creative force. Although these conversations cannot be considered a foretext properly speaking, they offer a material which proves that vanguardism still has a lot to contribute to the understanding of artistic dynamic. More, it reactivates, or revisits, and even produces new forms characterized by a degree of creativity which refutes any academicism.

La experimentaciÃ³n en Fernando MillÃ¡n (1975-1997): propuestas para el siglo XXI. La entrevista como mÃ©todo de legitimaciÃ³n