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When tracking the origins of Hispanic Modernism, Cuban literature has always been privileged by critics. This is due to the early assimilation of the French Parnasse aesthetics in its literary system. From the 1870s, Parnassianism – either read in French or translated – was one of the foundational stimuli that led Martí or Julián del Casal to change their conception of literature. This fact, in spite of being assumed by Hispanic historiography, remains as one of the main to-be-revised clichés. In this paper, a broad Archivum, LXVI, 2016, pp. 45-88

Alba del modernismo: el Parnasse francés en la literatura cubana