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The article examines the similarities and differences between the two most important transitional events in Russian literary culture of the 18 th century – Pre-Classicism and Pre-Romanticism, with a special focus on the notion of transitionality. We also provide an overview of the concepts of ‘median culture’ in humanist and philosophical thought of 20 th and 21 st centuries, as well as the major methodological principles of synergetics. We use Russian literature during the crucial periods of Pre-Classicism (late 17 th – early 18 th century) and Pre-Romanticism (late 18 th – early 19 th century) to study the two key synergetical notions of ‘attractor’ (the system’s energy center which acts as a focus for change and quality transformation) and ‘dyplastia’ (a combination of mutually exclusive elements within the system). The articles examines a wide panorama of historical and literary factors in the works of a number of Russian authors from Feofan Prokopovich to Nikolai Lvov. While the Pre-Classicist model during the transition to Modernity offered a way to ‘reconcile’ the instabilities it inherited (‘the law of norm’ in Pre-Classicism), Pre-Romanticism chose a different strategy at the turn of the 18 th century, the one based on emphasizing (rather than glossing over) conflict zones in literary culture in order to arrive at the new aesthetic ideals. It was in the epicenters of Pre-Classicism and Pre-Romanticism (albeit in different ways) that the concept of Genius as a universal transformative figure appeared. At the same time, both of these poles featured an ideological ‘openness’ and a drive towards dyplastia. The latter factor brought about the problem of moral choice which proved the most important for 18 th century Russian culture.

Поиск инвариантов преобразований в русской литературе XVIII века: предклассицизм и предромантизм