English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This study investigates how the hegemonic male identity (re)produced by a Brazilian comedian in a discursive event in traditional media is (re)constructed within the socio-constructive perspective of the self (DUSZAK, 2002), through a discursive practice that constitutes a self-reflexive supporting device of the patriarchal ideology power relations. The theoretical support for this investigation comes from Feminist Epistemology (LYKKE, 2010), Critical Discourse Analysis (FAIRCLOUGH, 2001, RESENDE; RAMALHO, 2006, 2011), and Systemic-Functional Linguistics (HALLIDAY; HASAN, 1989; HALLIDAY, 1994), specifically the Appraisal System (MARTIN, 2001; MARTIN; WHITE, 2005). The results reveal that when the author expresses his opinions, it is the evaluative character of his lexicogrammatical choices that construct the interpersonal meanings that shape and negotiate the identities in dispute, especially with respect to the aspects of (re)production, distribution and maintenance of gender related ideologies, through the (co)construction of the self, in a reflexive self-construction.

A AVALIATIVIDADE NA SOCIOCONSTRUÇÃO DO SELF: UMA ANÁLISE DA AUTOCONSTRUÇÃO REFLEXIVA DA IDENTIDADE HEGEMÔNICA PATRIARCAL