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The discourse of restraint of the animal and the female is addressed through three experiences of the feminine: the work of Beauvoir, who denounces an androcentric centrality in the representation of differences; the escape of the feminine in Colette's writing; and the force of becoming-organic in the images of the cuban artist Ana Mendieta. It concludes by denouncing the reduction of the complexity of the woman and the animal.

DEVIR ORGÂNICO, CORPO-PAISAGEM: TRAÇOS DA MULHER E DO ANIMAL EM BEAUVOIR, MENDIETA E COLETTE