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The research paper primarily studies the idea or discourse related to the code of “Robot Ethics” or “Roboethics” which governs human-robot interaction profession and is embodied in Sujoy Ghosh’s film narrative Anukul (2017). It foregrounds the theory of “discursive formations” that propounds the formulation of knowledge from discourses that pre-exist the subject’s experiences. The paper shows that the subject is not an autonomous or unified identity but is in process as a result there is a parallel shift in the history and philosophy of science. The paper attempts to explore the evolution of the “Robot Ethics” in the context of the film. It attempts to show that science progresses in discontinuous movement from one discursive formation or paradigm to another in connection to the development in the code of “Roboethics” as projected in the film narrative. The paper shows that the scientists conduct and write up their research within the conceptual limits of particular scientific discourses which are historically situated in relation to their society and culture. It shows that discourse related to “Robot Ethics” is connected to power. The research paper shows that individuals are subjects of ideology and the ideology/ies operate by the interpellation of the subjects in the social structure. This interpellation works through the discursive formations which are materially linked with “state apparatuses” such as religion,

THE STUDY OF THE DISCOURSE RELATED TO THE CODE OF ROBOETHICS FOR THE HUMAN-ROBOT INTERACTION PROFESSION IN SUJOY GHOSH’S ANUKUL