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ed away from the algorithms that employ them. This permits the use of arbitrary 3D microphone arrays, provided suitable spatial encoding is first conducted [1]. This important trait bestows a degree of flexibility not found with algorithms that rely on specific types of microphone arrays with known specifications. Furthermore, spherical harmonic components are trivial to synthesize, and many commercially available spherical microphone arrays have been designed specifically for the task of obtaining them. Note that spherical arrays are generally the favored array format for spherical harmonic acquisition due to their uniform full spherical “field of view” (capturing the reflections and reverberation equally from all directions) and are therefore particularly prevalent in the field of room acoustics

journal of the audio engineering society

Higher-Order Spatial Impulse Response Rendering: Investigating the Perceived Effects of Spherical Order, Dedicated Diffuse Rendering, and Frequency Resolution