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From the perspective of modern linguistic theory, the paper deals with author’s neologisms, or occasionalisms, as one of the vivid lexical means of creating comic effect in Valentyn Lagoda’s poetic works. Author’s neosemantisms and occasionalisms were singled out in the humorist’s texts. They are formed in morphological and non-morphological way and are aimed at designating people by the type of activity. Occasional proper names with transparent internal semantics, nouns-composites and occasional abbreviations are also in the focus of the study. The paper clarifies the semantics of these items, the way they were formed, their functions in the text what allowed to reveal a specific nature of the fragments of collective lingual model of the world in the Soviet epoch that was related to critical attitude and condemnation of the certain things in the society of that time. The emphasis is maid on the historical factors which provoked the emergence of the author’s neologisms, in particular ridiculazation of some situations and some people which believed to be unacceptable for the Soviet society. Temporal and situational conditionality of the author’s neologism leads to the fact that modern readers often do not understand the meanings of those occasionalisms which seemed so funny half a century ago.

studia linguistica

OCCASIONALISM AS A MEAN FOR CREATING COMIC EFFECT IN UKRAINIAN HUMOROUS AND SATIRICAL POETRY OF THE 1950s–1980s (a Case Study of Valentyn Lagoda’s Literary Works)