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Nowadays, the absence of a systematical violoncello training method in Turkish music causes forming and using of some nonscientific and changeable playing techniques. Difference of the playing techniques, changing from person to person, brings some uncertainties and problems originated on the lack of standardization in this field. One of the most common problems is a subject of determining a bow direction (up-bow or down-bow). There is still no concrete and logical answer for the question “How do you determine the bow direction in violoncello training and performance in Turkish music?” This research, the starting point of which formed with the question above, aims to propose the solutions to the problem of the determining the bow direction (up-bow or downbow) in violoncello training and performances in Turkish music. For this purpose, the first part of the study presentes the basic informations and examples about the bow techniques in violoncello training and performances in Western music. In the second part of the research, a systematic approach of the the determining the bow direction in the training and performances in Turkish music is presented.

TÜRK MÜZİĞİNDE VİYOLONSEL EĞİTİMİ: YAY YÖNLERİNİN BELİRLENMESİ ÜZERİNE SİSTEMATİK BİR YAKLAŞIM