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This article intends to understand the development of language, method and truth concepts in the critical-epistemological prologue in the work “The Origin of German Tragic Drama”. Because of the importance of this text and its relevance in recent years, was notorious the growing interest in the philosophical writings of Walter Benjamin, especially here in Brazil. But, undoubtedly, his reflection on Theory of Knowledge, consists in one of the most obscure parts of his thought. The studied text is much more than a simple preface to the work, where Walter Benjamin leads the reader to an investigation that focuses on the task of philosophy and its relation with truth and knowledge. Key-words: Benjamin, language, method, truth, knowledge.

cadernos walter benjamin

CONSIDERAÇÕES SOBRE OS CONCEITOS DE LINGUAGEM, MÉTODO E VERDADE NO PRÓLOGO EPISTEMOLÓGICO-CRÍTICO DA OBRA ORIGEM DO DRAMA BARROCO ALEMÃO DE WALTER BENJAMIN