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This paper pretends to analyze the manifestation of the “fold” concept, proposed by Gilles Deleuze (1925-1995) in Le pli: Leibniz et le Baroque (1988), in baroque and post-modern thoughts and in its applications on the fields of art and architecture. It aims to explicit convergent features in these two different moments, approached not only as historical and stylistic periods, but as ways of thinking with surviving essences. It discusses about the complexity, displacement, repetition, subjectivity and movement in Francesco Borromini (1599-1667) and Peter Eisenman (b. 1932) from the Aby Warburg’s (1866-1929) transhistorical perspective.

DOBRA BARROCA, DOBRA PÓS-MODERNA: DESLOCAMENTO, REPETIÇÃO E TRANS-HISTORICIDADE NA ARQUITETURA