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The aesthetic dimension of the artistic text of Clarice Lispector, manifested in the presents elements in the work of art, give to us the possibility to interpret her work by another reading, one which focus on the sociocultural dimension. Based on the methodology of Comparative Literature and Cultural Studies, the present work aims to do a comparation between three Clariceano tales, entitled “Devaneio e embriaguez de uma rapariga “, “Preciosidade” and “O búfalo” which compose the tale book Laços de família (1960) and the chronicles written by Clarice Lispector while she worked as a journalist in women’s columns, texts that are collected in Correio Feminino (2006). The purpose to analyze two objects, whose differentiation is not limited to a simple gender issue, is to observe how both texts, even though they introduce the same thematic axis: the female figure, they reflect discourses about the feminine identity and how they use to be to contingented upon the subject of enunciation and the cultural environment where they come. Therefore, it is necessary to reflect, from the objects selected in this work and considering them as a representation of a cultural scene, on the problematization of a discourse that constructs or don’t constructs a feminine normative identity in the work of the Brazilian Modernist writer. In this sense, her work also manifests as a product of a “micorofísica do poder” (FOUCAULT, 1979), since, integrated to the socio-cultural dimension, it allows to confront ideologies and values of modern social ties.

DISCURSO E IDENTIDADE FEMININA: UMA PROPOSTA DE COMPARAÇÃO ENTRE CONTOS E CRÔNICAS DE CLARICE LISPECTOR