English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Although the grisaille term is associated with monochrome painting is also a method of polychrome paint, with the difference that divides the work process into two distinct phases, treating separately the form and color. Despite its current lack of knowledge, this variant was one of the favorite methods of painters from the Middle Ages until the seventeenth century; and remains practiced until today. This article aims to clarify this dark side of the grisaille, sequencing their work process (and its variants), exposing its most significant features; verify the versatility of its principle, adapted for painting stained glass, illustrations, prints, enamels and even photography and cinema. And identify its origins and main features that been gone adopted over time.

Forma y Color: La Grisalla en la Pintura; Aproximación a un Procedimiento Inadvertido