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The aim of the present study is to analyse the image of Iran, created by E. G. Browne (1862-1926) in his travelogue A Year amongst the Persians. In his representation, Browne vacillates between two poles of Romantic and scientific discourses. On the one hand, he is a Romantic wanderer, who embarks on a  quest of Departure, Initiation and Return in the space of the Other (Campbell, 2004, p. 28) . Based on such an idealistic perspective, in his one year quest in Iran which is mainly spend among the marginalized  believers of the Bahai faith, Browne (1893) seeks for a rebirth of the decaying Iranian nation, “which slumbers, but is not dead” (p. 219) . On the other hand,  Browne (1893) regards himself as an “inquirer” who in his observations maintains a detached scientific perspective towards Iranian culture and society, and does not hesitate to question the principles which he finds unacceptable (p. 529) . In the course of his journey, the tension between these two discourses leads to a subversion of both of them, which finally mirrors in a breakdown of Browne’s conception of Self and the Other. Browne’s recognition of the Self and the Iranian nation, at the end of his journey is through the space of inter-subjectivity. This final state of in-betweenness makes it possible for him to recognize the Other from the perspective of cultural difference,  through which a possibility is created in his image of Iran to escape the “urge to possess” that the Orientalist discourse of travel writing entails. (Ashcroft, 2009, p. 230) Keywords: representation; Self; Other; subversion; in-betweenness

Orientalism on the Margins: Inter-Subjective Space in Edward Granville Browne’s A Year amongst the Persians