English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The  article  presents  a  study  of  the  stylistic  figure  of  chiasm  in media  and  scientific speech.  The generalized  views  of  researchers on this  element  of  style,  mainly  poetic  speech.  An  understanding  of chiasm  is  formulated,  which  emphasizes  the  need  to  take  into account  the  identity  of  the  lexical composition  of  the  parts  of  the chiastic  construction,  which  significantly  narrows  the  range  of  facts related  to  chiasm,  and  the  main  semantic  effect  of  this  figure  is the  mirroriness  of  the  connected  parts. Cases   of   using   chiastic  constructions   in   the   heading   position   (VIRTUAL   REALITY   AND  REAL VIRTUALITY)  and  in  the  media  text  (Yevgeny  Yevtushenko  was the  most  Russian  poet  from  Westerners and the most western of Russian poets) are considered. It is shown that the stylistic effect in the first case is  intriguing,  in  the  second-an  expressive  assessment. Cases  of  using  chiasm  in  the  media  text  are analyzed  from  the standpoint  of  semantic  syntax;  it  has  been  revealed  that  elements of  propositions — actants, predicates, and the position as a whole — are involved in chiasm. Attention is drawn to the fact that  chiastic constructions,  formally  representing  a  complex  sentence,  are  not polypositive  structures, because  in  them  one  proposition  is  fixed  in two  reflections  (We  need  to  kill  free  time,  or  it  will  kill  us). The importance  of  describing  chiasm  among  the  expressive  means  of media  stylistics  and  the  style  of scientific speech is emphasized.

Label functions in communicative portrait policy (based on modern print media)