English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

The article reveals the methodological principles of the Russian researcher D.V. Pivovarov’s synthetic theory of the ideal, which laid the foundation for the research of regularities of an ideal-forming process in fine arts. According to the theory, the ideal is as an intermediary between a human and the world and has a feature of a harmonious unity of the two opposite sides of being – material and spiritual. A work of fine arts is an artificial and skillfully produced ideal, a temptation which is aimed at a representative relation of the finite with the finite and the finite with the infinite. Finding the place of a work of art in the system of artistic culture, the author of the present paper argues that D.V. Pivovarov’s concept of the ideal is a basis of modern theory of fine arts, it promotes the scientific study of fine arts, helps to master a difficult dialectical process of a human’s (a viewer’s) representative relationship with his / her soul, souls of the others, the Spirit of God.

D.V. Pivovarov’s Concept of the Ideal as the Basis of Modern Theory of Fine Arts