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In many mass uprising events occurred in Taiwan ruled by Qing Dynasty, Lin Shuang-Wen Event (1786) was the largest and also most affected. National Taiwan Museum of Fine Arts has collected a set of Campaign Against Taiwan printmakings which were made in order to record Emperor Qianlong in his old age putting down Lin Shuang-Wen Event. There are a total of 12 pieces as the full set of the printmakings, including Rescue at Zhuluo, Battle at Dapulin, Battle at Taivoan, Battle at Fangliao, Capture of Chuang Ta-Tien, Fukanggan Attack on Xiamen, and Victory Banquet, and the range of which was throughout the weastern of today’s Taiwan, as the region of Hsinchu, Miaoli, Taichung, Changhua, Nantou, Yunlin, Chiayi, Tainan, Kaohsiung, and Pingtung, and therefore, its serious situation shaked Qing. L’Institut de France collected a number of letters of 18th century, displaying the information on Taiwan’s aborigines that Jean-Joseph Marie Amiot recorded the entire process of Lin Shuang-Wen making himself king in Taiwan. This part of materials were not found in Chinese materials, quite valauble. In this thesis, a French version was translated to compare with Chinese materials, explaining what the similarities and differences, with corresponding paintings to interprete Qianlong’s policy against the border ethnic minorities, and sketched out the political implications of the exchange at that time.

journal of literature and art studies

The Material Application of the 18th Century French Collection on the Literatures of History of Taiwan Written by Missionaries—Campaign Against Taiwan and Indigenous Image