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This paper expresses REN Ping’s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy (草书), Regular Script (楷书), Seal Script (篆书), running style (行书) and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion of ZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping’s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.

Drawing Essence from Ancient to Nourishing the New—A Study of REN Ping’s Calligraphic Art